Monday 19 September 2011

Book: Glaser, Milton. Ilic’, Mirko (2005) The Design of Dissent.

Title: No to the war
Format: Poster and T-shirt
Art Director/Designer: Andres Mario ramirez Cuevas
Client: Multiforo Alicia
Country: Mexico 
Year: 2003

Although this image was created to oppose the war in Iraq, it also refers to a large war between indigenous cultures and the global reach of American corporations, symblozed by Coca Cola's branding elements, as they supersede the values and economies of the regions they enter. 

Page 147


Title: Weapons of Mass Destruction 
Format: Postcard
Art Director/Designer: Chaz Maviyane-Davies
Client: No Client
Country: USA
Year:2004

The designer ponders, 'What are the products of globalisation- the silent war?' Often the most pervasive and damaging can seem to be the most innocuous. This postcard is from a series of four entitled 'The Language of War'.

Page:146

Title: Pay Us to Kill You
Format: Poster
Art Director/Designer: G.Dan Covert
Client: California College of the arts 
Country: USA
Year: 2001

This artist's grandmother passed away after a long battle with emphysema, which provoked this poster focusing on how profitable the tobacco industry has been while promoting illness and death.

Page: 156


Title: Brainwashing 
Format: Magazine ad
Art Director/Designer: Vladen Srdic
Client: Mlandia magazine
Country: Slovenia
Year: 2003 

This image of a dial on a washing machine, labeled with major television networks in America, protests the manipulation of the American mass media, who brainwash the public to support war and aggression. 

Page: 160

Title: Dinner
Format: Poster series
Art Director/Designer: Sandra Scher
Client: FARM
Country: USA
Year: 2003

The harsh images of factory farming are difficult to bear. The animals rights organisation FARM wanted to convince people not to eat meat by illustrating the cruel realities of factory farming with images of dead animals taking the place of a dinner plate. The silverware is arranged in a place setting to amplify the consequences of one's seemingly inconsequential choice. 

Page: 136

Title: Supersize
Format: Magazine Spread
Creative Directors: Joshua Berger, Niko Courtelis, Pete Mc Cracken. Enrique Mosqueda
Art Director/Designers: Niko Courtelis, Enrique Mosqueda 
Photographer: Dan Forbes 
Client: IDEA
Magazine (Japan)
Country: USA
Year: 2000

These images were created for the japanese design magazine IDEA for a special issue entitled 'made in America'. The inherent health risks in consuming fast food, America's most visible and influential export, is clearly communicated in these simple yet powerful images. 

Page: 132

Title: Shattered, Fists and Figures 
Format: Unknown 
Art Director/Deigner: Theresa Tsang 
Client: Woman's Aid Organisation (WAO) 
Country: Malaysia 
Year: Unknown

Upon first glance these three illustrations for a woman's aid organisation fighting domestic abuse appear as beautiful female lips. Upon closer inspection they revel fists, men beating women, and broken glass, lending them an element of surprise and impact. 

Page:122

Title: Human trafficking is modern-day slavery 
Format: Poster
Art Director/Designers: Alex Briseno, Hernan Ibanez
Client: Florida Freedom partnership 
Country: USA
Year: 2004

Florida freedom partnership is a federally funded, non-profit organisation offering comprehensive services to victims of human trafficking or modern day slavery. This poster is part of an outreach campaign designed to educate the public on the problem of human trafficking and to urge victims to seek protection and support from the organisation.

Page: 106

Title: Caution children at war
Format: Poster 
Art Director/Designer: Woody Pritle/Pentagram
Client: Amnesty international 
Country: USA
Year: 1999


Road signs are frequently used as a reference in protest, perhaps because the goal of the design is clear and immediate communication, and they are universally understood. 

Page: 100

Below 
page: 91, Equality 

Title: Racism
Format: Poster
Art Director/Designer: Cedomir Kostovic 
Client: Southwest Missouri State University 
Country: USA
Year: 1998

Simple, Poignant, and powerful, this image effectively illustrates the irrationality of racism. 

Page: 86, Chapter 6

Title: Blood bath 2002
Format: Poster
Art Director/Designer: Yossi Lemel
Client: No Client
Year: 2002 

THis chilling image conveys the designers opposition to the endless bloodshed between Israelis and Palestinians in which neither side is able to wash away responsibility for the situation. References to morgues and suicides are both intentional and disturbing. 

Page: 23, Palestine and Israel

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